The novel was completed by 1929 but lay unread until 1935, when Mitchell met Harold Latham of Macmillan Publishing, who was immediately taken with the novel. GWTW was published in 1936 and sold more than one million copies its first year. In 1937, GWTW won the Pulitzer Prize.
Critical responses to the work were and have remained divided and intense. Publisher's Weekly hailed it as "very possibly the greatest American novel," and comparisons with War and Peace were frequent. On the other side, Malcolm Cowley of The New Republic was the first to castigate the book for racism and glorification of the Old South, calling it an "encyclopedia of the plantation legend." Despite frequent criticism, however, sales of GWTW have continued strong.
The novel's tremendous initial popularity has been explained as an escapist response to both the Great Depression and the World War II, but reasons for its lasting appeal have received little serious attention. Mitchell's detractors claim that the novel deserves none, being not so much a novel as a "literary Act of God," as one reviewer put it, and explain its wide readership as a symptom of widespread simplemindedness and entrenched racism; her supporters argue that only the novel's popularity and female authorship have prevented its canonization.
The novel's sales quickly attracted the attention of Hollywood, and prominent motion producer David O. Selznick acquired film rights. Despite the inevitable difficulties of adapting a thousand-page novel to the screen, the movie version of GWTW premiered in Atlanta in 1939 to popular acclaim. The film garnered seven Academy Awards (including the first Academy Award to an African American actor, Hattie McDaniel) and remains one of the top-grossing movies of all time.
Critical responses to the film were divided; some called it the "mightiest achievement in the history of the motion picture"; others lambasted it as favorably presenting the Ku Klux Klan and portraying black characters as happy in slavery and violent in freedom. Most today view the film as unfortunately flawed by the assumptions of the time, although some continue to see it as deliberately nostalgic for racism and others as a universal epic of survival transcending historical setting.
Mitchell never wrote another novel, a fact that has led to some unresolvable speculation as, following her death in an automobile accident in 1949, her husband and brother destroyed most of her papers. In the 1990s the manuscript of an early novella of Mitchell's surfaced, but GWTW remains her only mature work. The novel continues to attract legions of devoted fans around the world; GWTW has sold more than thirty million copies and been translated into twenty-seven languages.
Literature and Popular Culture
NPR: Margaret Mitchell�s �Gone with the Wind� Turns 75
Atlanta History Center: Margaret Mitchell Collection
The New Georgia Encyclopedia: Margaret Mitchell
Open Library: Margaret Mitchell
Hargrett Rare Book & Manuscript Library (University of Georgia): Margaret Mitchell Family Papers
Encyclopedia of American Studies, ed. Simon J. Bronner (Baltimore: Johns Hopkins University Press, 2018), s.v. "Mitchell, Margaret" (by Anna Peak), http://eas-ref.press.jhu.edu/view?aid=748 (accessed August 23, 2018).